Idiots of Us All

I don't know about other third world refugee camps, but Trichy does not have good cinema halls. I discovered this fact a few weeks ago, when pestilential friends of mine beleaguered me into acquiescence to a ridiculous suggestion involving an air-tight claustrophobic nightmare that called itself a cinema hall and 3 Idiots, making me board a rickety bus that galloped its way across the obstruction course that connected our campus in the middle of nowhere to the ghetto of Tiruchirapalli. Ignoring the dull tipsiness that blanketed our heads, we got down the bus in front of a dilapidated pile of rubble made to resemble a building. Now that we reached the cinema hall, we arrived at the conclusion that we had little left to do other than walking in and try giving the much hyped adaptation of the stale soup of literature that Chetan Bhagat spewed into the society in the form of the written word a shot. I had the misfortune of sitting through the movie 3 Idiots, with all it's ballyhoo, lock, stock and barrel. The film, contrary to my initial expectations, was terrible, it really was. Every film is spawned by a central theme, an idea it tries to convey. In this film, it was the oppressively pungent atmosphere of an engineering college, amusingly christened, the Imperial College of Engineering. Not a very bad central idea, quite a good one and will make a brilliant movie, if only it was executed properly. It was this execution, unfortunately, that made this movie so intolerably abysmal. For starters, it was a heinous idealisation of an engineering college, with the stereotypical absent-minded professor who is also, incidentally, a ruthless jerk, running the place. Ironically, he was the only lovable character in a world of over-acting self-righteous pin heads the movie seems to be a part of. The other characters were just around to nod their heads to the all perfect Aamir Khan, who has it all figured that education is all about getting drunk and marking territory in teachers' houses, feline style, and if the professor gets angry because a drunken idiot is passing water in his hallway, he's a tyrant. Besides such fallacies and moral inconsistencies, the film has little to offer apart from Aamir Khan ranting on about why he's right and everyone else is wrong. The humour, something I've heard is rib-tickling, is actually stale, recycled and let's face it, it's simply not funny if you know the punchline even before it is crassly delivered by first-rate actors who for some unseen reason chose to parody themselves instead. The acting was a celebration of mediocrity; an unfortunate turn of events because even after a star studded cast and a sky high budget, wooden expressions on Aamir Khan's face is not the expected outcome. All he ever did was act like he was on dope, with a floating far away expression on his face, something to make Orlando Bloom proud. Most of the scenes were awfully artificial, it was almost like the director got his actors sloshed, let the cameras roll and simply hoped for the best. The script was shoddy, unplanned and plot twists included in the last minute for convenience were jarringly apparent. The ending was as far-fetched as Bollywood could make it and it was insulting to the viewer's intelligence that those scenes were actually intended to be taken seriously. At the end of the day, the film was unfinished, half-baked and incomplete, it was an idea that would have been more appealing if left an idea. Frankly, aall was not vell.